On her return to France, she developed a singular sound work combining effects, loopstation and electronic music, where the cello becomes material for sculpting.
With her first album, Dérives (2026), she takes us on an orchestral journey through tumult, lulls and contemporary questioning.
Free admission.
Open to all.
Bar on site.
Alternate venue in case of bad weather: Salle Madeleine Cartier.
| Period (s) | Start | End | Opening day | Closing day |
|---|---|---|---|---|
| 24/07/2026 - 24/07/2026 | 21:00 | - | - | - |
Join by public transport
